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“I’m a book sculptor.
I reimagine the form
and content of unloved
and unwanted books.”
NICHOLAS JONES
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In a few words, describe yourself and your practice.
I am a book sculptor. I reimagine the form and content of unloved and unwanted books.
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When did you start your practice?
I began working with books in my final year at art school. I am still going 17 years later!
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How does where you live affect your work?
I live in Melbourne, which is a very lively and colorful place. There are many tales which inform my work subconsciously.
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Is your practice how you support yourself? If not, what else are you working on to do so?
I teach to pay my rent and also find other work to make it easier to get by. I do sell my work too!
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What would you be doing if you weren't doing this?
Teaching English or working in a library.
HOW DO YOU START YOUR PROCESS?
I begin each of my pieces with an idea which relates directly to the book I have chosen. The various techniques I use will relate directly to the content of each book.
WHAT IS THE MOST USEFUL TIP YOU'VE EVER BEEN GIVEN?
You are your art.
Personality is important.
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Who (or what) inspires you?
Poetry, music, friends and the design and construction of books. Inspiration comes from the most peculiar places, and always leave yourself open to find it.
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If you were to share one piece of advice with those who aspire to do what you do, what would it be?
Be firm and stick to your guns. Everyone has a voice. Be distinctive and yourself.
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What are some challenges you're facing in your practice?
The market is very difficult to judge and predict. Make sure you have some money squirrelled away for a rainy day.
WHAT MAKES YOUR WORK UNIQUE?
No one I knew of was making anything with recycled books in 1997. The uniqueness of my work is changing as many people now make work with old books. I think that the precision and time my work takes makes it unique.
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Are you comfortable sharing all aspects of your process?
I am always happy to show people how I go about making work. I routinely run workshops specializing in book alteration techniques and feel that teaching is a really crucial part of my practice.
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How has your practice changed over time? Where do you see it going?
My practice has not changed very much since I first started, but I think that the intent is more focused and refined. I hope to see it grow and become more widely seen throughout the world.
HOW WOULD YOUR AUDIENCE DESCRIBE YOU?
My audience sees me as a book obsessed character who pursues beauty and quirk in equal qualities.
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What are you currently working on?
I am working on a few commissions for people and a series of small sculptures based on research from a recent study tour of Greece.
